andy warhol Essay -- essays research papers

Andy Warhol, the American painter, printmaker, illustrator, and admit maker was born in Pittsburgh on August 6, 1928, shortly afterwards settling in New York. The only son of immigrant, Czech parents, Andy entire high school and went on to the Carnegie Institute of Technology in Pittsburgh, graduating in 1949 with hopes of becoming an art teacher in the public schools. While in Pittsburgh, he worked for a department store arranging window displays, and practically was asked to simply look for ideas in fashion magazines . While recognizing the job as a waste of time, he recalls later that the fashion magazines gave me a ace of style and other calling opportunities. Upon graduating, Warhol moved to New York and began his artistic machineeer as a commercial artist and illustrator for magazines and newspapers. Although extremely shy and fit out in old jeans and sneakers, Warhol attempted to intermingle with either atomic number 53 at all who capacity be able to assist him in t he art world. His portfolio secure in a brown paper bag, Warhol introduced himself and showed his work to anyone that could help him out. Eventually, he got a job with Glamour magazine, doing illustrations for an article called Success is a Job in New York, along with doing a spread showing womens shoes. Proving his reliability and skills, he acquired other such(prenominal) jobs, illustrating adds for Harpers Bazaar, Millers Shoes, contributing to other large merged image-building campaigns, doing designs for the Upjohn Company, the National Broadcasting Company and others. In these early drawings, Warhol utilize a device that would prove beneficial throughout his commercial art stop consonant of the 1950s-a tentative, blotted ink line produced by a simple monotype process. First he drew in black ink on glazed, nonabsorbent paper. and then he would press the design against an absorbent sheet. As droplets of ink spread, gaps in the line filled in-or didnt, in which case they cre ated a look of spontaneity. Warhol get the hang thighs method, and art directors of the 1950s found in adaptable to nearly any purpose. This method functioned provided him with a hand-scale equivalent of a printing press, showing his cheer in mechanical reproduction that dominates much of his future work. Such techniques used for almost all of his works derived from his beginning in the commercial arts. His normal of aesthetic and artistic innovation, to expect ... ...y not have been completely random. passim the Death and Disaster paintings, Warhol makes use of desktop color to serve sundry(a) functions. Mostly, throughout the series, he avoids the use of primary colors, using mainly secondaries, such as oranges, lavenders, and pinks, the types of colors you would expect to find in a cover store. His use of background color in the Death and Disaster paintings is in general extrinsic to the content of the images. In some, such as Lavender Disaster, the background color seem s to intensify the effect of alienation created by the realism of the ocular content. In others, such as Atomic Bomb, the red-orange color serves a sustenance role. The images Warhol selected for these paintings were gruesome, though he showed again his brilliant eye for such images so effective in shocking the viewer. With an eye for the eccentricity of an individual event, Warhols paintings contract the unpredictable choreography of death. Using a broad range of images, from car crashes, suicides, burn victims, funerals, riots, to the culmination with the atomic bomb, Warhol succeeded in giving the viewer what one expected of Warhol to expect the unexpected.